In this paper, diagnostic analyses on 12th–13th century byzantine wall paintings in the abbey of Santa Maria di Cerrate (Southern Italy) were carried out preparatory to restoration work promoted by FAI (Fondo Ambiente Italiano). Both the pigments and the areas with a bleaching alteration in the frescoes were analysed using the energy dispersive X-ray fluorescence, the Raman spectroscopy and the scanning electron microscopy equipped with energy dispersive X-ray spectrometer. In particular, ED-XRF analyses were performed in situ on wall paintings, while Raman spectroscopy and SEM-EDX were accomplished on frescoes fragments. The results obtained allowed to determine the chemical composition of the pigments, helping to identify the original parts of the frescoes from the retouched ones. The work also provided important information about the historical-artistic context of the abbey. Archaeometric investigations have indeed revealed the pictorial technique used for the wall paintings of the abbey, as well as the presence of some very valuable pigments, such as lapis lazuli blue.
Investigations of byzantine wall paintings in the abbey of Santa Maria di Cerrate (Italy) in view of their restoration
Vasco G.;Serra A.;Manno D.;Buccolieri G.;Calcagnile L.;Buccolieri A.
2020-01-01
Abstract
In this paper, diagnostic analyses on 12th–13th century byzantine wall paintings in the abbey of Santa Maria di Cerrate (Southern Italy) were carried out preparatory to restoration work promoted by FAI (Fondo Ambiente Italiano). Both the pigments and the areas with a bleaching alteration in the frescoes were analysed using the energy dispersive X-ray fluorescence, the Raman spectroscopy and the scanning electron microscopy equipped with energy dispersive X-ray spectrometer. In particular, ED-XRF analyses were performed in situ on wall paintings, while Raman spectroscopy and SEM-EDX were accomplished on frescoes fragments. The results obtained allowed to determine the chemical composition of the pigments, helping to identify the original parts of the frescoes from the retouched ones. The work also provided important information about the historical-artistic context of the abbey. Archaeometric investigations have indeed revealed the pictorial technique used for the wall paintings of the abbey, as well as the presence of some very valuable pigments, such as lapis lazuli blue.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
