IRIS
LUCKING, David Ian Clive
 Distribuzione geografica
Salva come PNG Salva come JPEG
Continente #
EU - Europa 7.625
AS - Asia 3.330
NA - Nord America 3.086
SA - Sud America 565
Continente sconosciuto - Info sul continente non disponibili 102
AF - Africa 49
OC - Oceania 16
Totale 14.773
Salva come PNG Salva come JPEG
Nazione #
US - Stati Uniti d'America 2.991
IT - Italia 2.285
NL - Olanda 1.776
SG - Singapore 1.615
IE - Irlanda 1.434
RU - Federazione Russa 966
CN - Cina 621
HK - Hong Kong 513
BR - Brasile 458
SE - Svezia 347
UA - Ucraina 323
VN - Vietnam 233
GB - Regno Unito 116
FR - Francia 112
FI - Finlandia 110
KR - Corea 101
IN - India 81
CA - Canada 47
BE - Belgio 45
DE - Germania 45
AR - Argentina 44
BD - Bangladesh 31
MX - Messico 24
ES - Italia 18
EC - Ecuador 17
JP - Giappone 17
AU - Australia 15
PK - Pakistan 15
IQ - Iraq 14
TR - Turchia 13
CO - Colombia 12
ID - Indonesia 12
PE - Perù 12
ZA - Sudafrica 12
PL - Polonia 10
CL - Cile 9
UZ - Uzbekistan 8
PH - Filippine 7
CH - Svizzera 6
EG - Egitto 6
JM - Giamaica 6
KE - Kenya 6
TN - Tunisia 6
TW - Taiwan 6
VE - Venezuela 6
DZ - Algeria 5
MA - Marocco 5
GR - Grecia 4
KZ - Kazakistan 4
LT - Lituania 4
NP - Nepal 4
PY - Paraguay 4
TH - Thailandia 4
YE - Yemen 4
AL - Albania 3
CZ - Repubblica Ceca 3
DO - Repubblica Dominicana 3
HN - Honduras 3
MU - Mauritius 3
MY - Malesia 3
PA - Panama 3
UY - Uruguay 3
AT - Austria 2
AZ - Azerbaigian 2
BA - Bosnia-Erzegovina 2
BN - Brunei Darussalam 2
CG - Congo 2
HR - Croazia 2
IL - Israele 2
IR - Iran 2
JE - Jersey 2
JO - Giordania 2
KG - Kirghizistan 2
LB - Libano 2
MD - Moldavia 2
MN - Mongolia 2
NI - Nicaragua 2
PT - Portogallo 2
RO - Romania 2
SA - Arabia Saudita 2
TC - Turks e Caicos 2
XK - ???statistics.table.value.countryCode.XK??? 2
AE - Emirati Arabi Uniti 1
AM - Armenia 1
BY - Bielorussia 1
BZ - Belize 1
CI - Costa d'Avorio 1
CR - Costa Rica 1
CY - Cipro 1
DM - Dominica 1
ET - Etiopia 1
EU - Europa 1
GE - Georgia 1
GL - Groenlandia 1
GM - Gambi 1
GT - Guatemala 1
IM - Isola di Man 1
LU - Lussemburgo 1
NZ - Nuova Zelanda 1
OM - Oman 1
Totale 14.671
Salva come PNG Salva come JPEG
Città #
Lecce 1.930
Amsterdam 1.767
Dublin 1.426
Singapore 530
Hong Kong 471
Council Bluffs 315
San Jose 274
Moscow 271
Dallas 227
Ashburn 219
Jacksonville 211
Chandler 210
Santa Clara 158
New York 113
Princeton 104
Seoul 98
Lauterbourg 97
Beijing 90
Ho Chi Minh City 87
Los Angeles 67
Hanoi 63
Des Moines 61
West Jordan 44
Ann Arbor 39
Wilmington 39
Brussels 35
Rome 34
São Paulo 34
Jinan 33
Central District 31
Wayanad 29
San Cesario di Lecce 28
Charlotte 23
Milan 19
Ogden 18
Rio de Janeiro 18
London 17
San Francisco 15
Belo Horizonte 14
Brooklyn 14
Chicago 14
Orem 14
Tianjin 14
Shanghai 13
Tokyo 13
Chennai 12
Curitiba 12
Denver 12
Guangzhou 12
Las Vegas 12
Haiphong 11
Hebei 11
Helsinki 11
Naples 11
Changsha 10
Haikou 10
Phoenix 10
Avellino 9
Mexico City 9
Montreal 9
Parma 9
Houston 8
Osasco 8
Salvador 8
Stockholm 8
Toronto 8
Atlanta 7
Cambridge 7
Da Nang 7
Dhaka 7
Frankfurt am Main 7
Galway 7
Hangzhou 7
Lima region 7
Modena 7
Nanjing 7
Norwalk 7
Raleigh 7
Tashkent 7
Birmingham 6
Boardman 6
Boston 6
Copertino 6
Jasper 6
Lanzhou 6
Mumbai 6
Quito 6
Seattle 6
Taipei 6
Taiyuan 6
Warsaw 6
Basildon 5
Biên Hòa 5
Bologna 5
Bremen 5
Cincinnati 5
City of London 5
Edinburgh 5
Hải Dương 5
Kingston 5
Totale 9.759
Salva come PNG Salva come JPEG
Nome #
"Dark needs no candles now, for dark is light": Images of light and darkness in Shakespeare 1.889
“Romeo and Juliet" and its Intertexts 294
Babel on the Battlefield: Englishing the French in Shakespeare's "Henry V" 183
Bad News: Medium as Message in "Antony and Cleopatra" 172
“That historyless man, George Castriot": The Scanderbeg Legend in English Literature 156
"Hamlet" and the Narrative Construction of Reality 155
Living Art: Essays on Words and the World 152
"And all things change them to the contrary": "Romeo and Juliet" and the Metaphysics of Language 151
Bringing Deformed Forth: Engendering Meaning in Much Ado about Nothing 151
"A second Eden just emerged from the waters of chaos": Making Things New in "Roughing It in the Bush" 150
Brutus's Reasons: "Julius Caesar" and the Mystery of Motive 147
A Bird of Another Feather: Will Shake-Scene’s Belated Revenge 146
Myth and Identity: Essays on Canadian Literature 146
Making Sense in Shakespeare 146
Between Things: Public Mythology and Personal Identity in the Fiction of Mordecai Richler 144
"And all things change them to the contrary": "Romeo and Juliet" and the Metaphysics of Language 144
La dicotomia Ordine-Disordine nella letteratura anglo-canadese 144
The Shakespearean Name: Essays on Romeo and Juliet, The Tempest, and Other Plays 143
“'More than two tens to a score': Disquantification in King Lear" 142
Beyond Innocence: Literary Transformations of the Fall 141
“The Elements so Mix'd": Empedoclean Cosmology in "The Tempest" 141
Our Devils Now Are Ended: A Comparative Analysis of "The Tempest" and "Doctor Faustus" 140
Ancestors and Gods: Margaret Laurence and the Dialectics of Identity 138
Translation and Metamorphosis in "A Midsummer Night's Dream" 138
The Politics of Consciousness 136
A Will and Two Ways: The Ambivalence of Evil in Robertson Davies’s The Deptford Trilogy 135
Giorno nella notte: quattro saggi su “Romeo e Giulietta” 135
“The Little O": Signifying Nothing in Shakespeare 135
Making a Name for Oneself: Language and Identity in Conrad’s "Lord Jim" and "Under Western Eyes" 134
Bringing Deformed Forth: Engendering Meaning in Much Ado About Nothing 134
Each word made true and good: Narrativity in "Hamlet" 133
Standing for Sacrifice: The Casket and Trial Scenes in "The Merchant of Venice" 132
Art of a Stranger — Review of Lyall Powers, Alien Heart: The Life and Work of Margaret Laurence 132
The Artifice of Eternity: An Essay on “The Tempest” 131
"The Unmerry-go-round of Pointless Words": Margaret Laurence’s The Fire-Dwellers as Thematic Complement to A Jest of God 129
Hagar's Bestiary: Zoological Imagery in Margaret Laurence’s "The Stone Angel" 127
That Which We Call a Name: The Balcony Scene in "Romeo and Juliet" 127
"The Price of One Fair Word": Negotiating Names in Coriolanus 126
Ciò che chiamiamo un nome: La scena del balcone in "Romeo and Juliet" 126
Carrying Tempest in His Hand and Voice: The Figure of the Magician in Jonson and Shakespeare 125
Conrad’s Mysteries: Variations on an Archetypal Theme 125
"And all things change them to the contrary": "Romeo and Juliet" and the Metaphysics of Language. 125
Imagining the Mage in English Renaissance Drama: "Doctor Faustus", "The Alchemist", "The Tempest" 125
Plays Upon the Word: Shakespeare’s Drama of Language 124
Our Devils Now Are Ended: A Comparative Analysis of "The Tempest" and "Doctor Faustus" 120
Enacting Chronology: Language and Time in Chiang’s "Story of Your Life" and Villeneuve’s "Arrival" 120
Becoming Cleopatra 119
Standing for Sacrifice: The Casket and Trial Scenes in "The Merchant of Venice" 118
Narcissus in the Underworld: Counterpointing Myths in "The Nigger of the ‘Narcissus'" 117
Imperfect Speakers: "Macbeth" and the Name of King 117
Shakespeare and the Name of King 117
To Tell My Story: Narrating Identity in Shakespeare 116
That Which We Call a Name: The Balcony Scene in "Romeo and Juliet" 116
Killing Metaphors in "Julius Caesar" 116
The Choice of Nightmares: Conrad’s “Lord Jim” and “Heart of Darkness” 116
Putting Out the Light: Semantic Indeterminacy and the Deconstitution of Self in "Othello" 115
Ego in Arcadia: The Doctrine of Evil in Hawthorne’s The Marble Faun 115
“And Strange Speech is in Your Mouth": Language and Alienation in Margaret Laurence’s "This Side Jordan" 113
To Double Business Bound: "Hamlet" and "Julius Caesar" as Tragic Diptych 113
Journeymen in Darkness: Joseph Conrad and the Canadian Literary Imagination 113
Editor's Introduction 113
Uncomfortable Time in "Romeo and Juliet" 112
Putting Out the Light: Semantic Indeterminacy and the Deconstitution of Self in "Othello" 112
Telling Tales in "The Turn of the Screw" 112
Name-Calling in Howard O’Hagan’s Tay John 111
From Jordan to the Ottonabee: Margaret Laurence's River 111
Rites (and Wrongs) of Passage: Susanna Moodie’s Ambiguous Initiation 109
To Tell Whose Story?: Narrative Identity and its Discontents in Shakespeare 109
Comment on David Turner's "Genesis and Revelation" 108
Shakespearean Perspectives: Essays on Poetic Negotiation 108
The "Real Story": Making History in Atwood’s The Robber Bride 106
Reply to Wendy Roy's "Metaphors of Dualism in Margaret Laurence's Writings" 106
The Choice: Perfecting the Life or the Work 105
Distant Music: Symbolic Polarization in Joyce’s "The Dead" 105
That Bare Vowel I: A Note on Romeo and Juliet 104
Famous Last Words: The Rhetoric of Death and Dying in Shakespeare 103
The Sign of the Rose: "Romeo and Juliet" and the Contexts of Meaning 103
Cleansing the Doors of Perception: Human Duality and the Problem of Identity in Conrad’s "Under Western Eyes” 103
Romance as Irony in "The American" by Henry James 102
Imperfect Speakers: "Macbeth" and the Name of King 101
Unsettling the Wilderness: The Interloping Pioneer in Atwood and Grove 101
Uncomfortable Time in "Romeo and Juliet" 101
What is Canadian about Canadian Literature? 101
Straight Lines in a Curved Space: The Order/Disorder Dichotomy in Anglo-Canadian Literature 100
The Serpent’s Part: Narrating the Self in Canadian Literature 100
The Third Age of Man in Conrad’s Fiction: "Youth", "The End of the Tether" and "The Rover" 100
Emblems of Passage: The "Bhagavad Gita" and "A Passage to India" 99
Time’s Fools: "The Secret Agent" and the City of Desolation 99
The Canadian Abroad: Modes of Exile in the Novels of Mordecai Richler 98
Laurence's Comedy of the Soul— Review of Paul Comeau, Margaret Laurence’s Epic Imagination. Margaret Laurence Review 15-16 (2005-2006): 23-27. 98
First and Final Things: Shakespeare's Sonnet 145, and his Epitaph 98
The Vessel of Metaphor: Naming Names in George Bowering’s Burning Water 97
“Battling at the name of Skanderbeg": The Literary Metamorphoses of George Castriot 95
The Long Note of the Bugle: T. E. Hulme’s Theory of Poetry 95
Sifting the Ruins of Time: Permanence and Change in Virginia Woolf’s "Mrs Dalloway" 95
Speaking in Tongues: Liberating Voices in Margaret Laurence’s A Jest of God 93
The Comedy Company of the Psyche: Roles, Masks, and Identity in Robertson Davies's Deptford Trilogy 93
In Pursuit of the Faceless Stranger: Depths and Surfaces in Margaret Atwood’s "Bodily Harm" 93
The Figure in the Carpet: Structure and Theme in the Tales of Henry James 92
Renewing Fallen Light: Luminary Symbolism and its Manipulation in Shakespeare, Blake and Conrad 92
Totale 13.993
Salva come PNG Salva come JPEG
Categoria #
all - tutte 63.676
article - articoli 0
book - libri 0
conference - conferenze 0
curatela - curatele 0
other - altro 0
patent - brevetti 0
selected - selezionate 0
volume - volumi 0
Totale 63.676
Salva come PNG Salva come JPEG


Totale Lug Ago Sett Ott Nov Dic Gen Feb Mar Apr Mag Giu
2021/2022345 0 0 43 16 46 2 14 42 6 5 47 124
2022/20232.371 129 81 77 77 95 118 71 63 1.515 8 112 25
2023/2024491 39 6 44 23 8 72 20 20 50 101 80 28
2024/20252.078 32 29 43 52 167 382 94 112 747 121 142 157
2025/20266.040 338 619 556 589 233 250 416 199 2.379 204 223 34
2026/2027501 83 362 56 0 0 0 0 0 0 0 0 0
Totale 14.773